2022 Awards Gala
On Set Photos
Photos submitted from our members on set. These curated images are also featured in Canadian Cinematographer magazine.
Kodak Master Awards Portraits
These portraits of Kodak Master Award recipients have been restored by Carlos Esteves csc
Harry Makin csc 1930-2020
Harry Makin csc is considered one of the finest cinematographers of his generation, renowned for his powerful visual interpretations and technical acumen. Makin was an astute cinematic talent who was innovative, ground-breaking and could raise a production to loftier heights through his creativity. Makin often compared filmmaking to a glass, where the director would begin […]
Roy Tash csc (1898-1988) Archival Images
Roy Tash csc was a pioneer cinematographer who began filming news footage in Chicago in 1915 and moved to Toronto to work with Blaine Irish (on, e.g., the Camera Classics series and photographing the feature’s Satan’s Paradise).
In 1925 he was the official photographer on the Canadian government’s annual expedition to the eastern Arctic. He joined Associated Screen News in 1925 and remained there throughout the rest of his career, shooting footage for all the major American newsreels (including the filming of the Dionne quintuplets in 1932), and some documentaries, including several Canadian Cameos. He went on to become one of the founding members of the CSC in the late 50’s.
The photos in this gallery were recaptured and restored by Carlos Esteves csc. These photos are framed and on display at the CSC’s Clubhouse at William F. Whites.
2019 Awards Gala
Highlights of the 63rd Annual Gala held at Arcadian Court in Toronto on March 23rd, 2019
Workshops: Behind The Scenes
Candid moments at the CSC’s various workshops.
Archival Photo Collection
A selection of images tracing back to the CSC’s origins in 1957, and beyond.
This workshop in February 2010 was a great success, with UK DP Geoff Boyle NSC joining us along with LA-based stereographer Paul Taylor. Over two days, participants got to shoot with multiple 3D rigs, and at the end of the 2nd day, test footage was screened at Creative Post’s 3D screening room.